3/19/2024 0 Comments Luther vandross songs album coverThe festival, named after fantastical imagery of giant lollipops, is a gathering of “misfits,” including goths, punk rockers, and suburban white kids. Ice-T claims the festival is for white kids because they can afford it but insists that the Sly Stone rendition performance was a smart move. The first episode highlights the first show in Chicago featuring Ice-T of Body Count and Perry Farrell of Jane’s Addiction singing Sly Stone’s “Don’t Call Me N*gger, Whitey.” The performance is horrendous, but both parties justify singing it. The festival, deemed “live music from a dark place,” historically featured artists like Red Hot Chili Peppers, Living Colour, Siouxsie and The Banshees and Body Count. An audience member is spotted saying, “My mom loves me even though I do drugs.” Farrell recalls getting “so f*cked up,” he missed a groundbreaking introductory moment for his band, Jane’s Addiction. Aspects of the festival including social activism before internet access, rebellious youth, and limitless access to drugs and alcohol are highlighted in the episode. The episode features interviews of band participants, as well as footage of the festival and its creation. The traveling music festival was intended to be a farewell party for Jane’s Addiction, but has since turned into an annual festival based solely in Chicago. "Frida," the documentary, is a lovely piece of art that furthers her legacy.Īs the episode opens, Perry Farrell of Jane’s Addiction sits in the middle of a room surrounded by a projected desert landscape as he goes through a retrospective process of the creation and impact of Lollapalooza, while drinking wine straight from the bottle. The variants in her lifestyle are thrilling to understand while watching the flowing picture. ![]() Frida was a communist, called a surrealist (although she hated that categorization), and despised stuck-up gringos. “Deciphering the world was like a game,” she writes. Frida used the essence of the world as her inspiration to create. Her self-portraits, highlighted throughout the documentary, are reflections of her reality. In addition to learning about Frida, Gutierrez draws attention to Diego Rivera, famed muralist and husband to the artist. The documentary is bright and historical. Her peers at school would say, “Frida is a little strange.” The biographical accounts from friends and lovers offer insight on how she was perceived and treated. Nothing about Frida was normal, from her boyish way of dressing to her love of women, she defied all societal rules. Frida fought for her life, and the praise we give her posthumously, by being herself. Her exuberant way of loving, her rebellious way of living and her life-changing accident garner deep attachment to her ancestral spirit. Premiering March 15th on Amazon Prime Video, "Frida" is an artist's story that the world should see. ![]() Finally, it was time to watch the Sundance Premiere I had been waiting for, "Luther: Never Too Much," and, in stark contrast to "Lolla," it was the epitome of soul, elegance and timelessness.ĭiary accounts of Frida’s life make the documentary "Frida" seem autobiographical paired with animations of her paintings, the doc takes you through the mind of the legendary artist. As a Chicago native, I have attended the festival a handful of times (with free tickets from After School Matters) and was adamant about claiming Chicago’s history as my own. "Lolla: The Story of Lollapalooza" was a teenage interest of mine. I was awestruck by the animation, rawness and beauty of the documentary. "Frida," directed by Carla Gutierrez, captures Frida Kahlo in the most transparent fashion viewers have ever seen outside of her art. After exploring films in the US Documentary category, and then watching "Frida," I understood why she is such a stellar character to focus on. I wanted to explore the arts through Sundance’s Episodic, US Documentary and Premiere showings this year. Note: This final dispatch allowed the writer to select their own virtual viewings, leading to alternate takes on "Frida" and "Luther: Never Too Much." Read Monica Castillo's here for comparison.
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